The father-in-law of Doctor Minoret, the famous harpsichordist and maker of instruments, Valentin Mirouet, also one of our most celebrated organists, died in 1785 leaving a natural son, the child of his old age, whom he acknowledged and called by his own name, but who turned out a worthless fellow. He was deprived on his death bed of the comfort of seeing this petted son. Joseph Mirouet, a singer and composer, having made his debut at the Italian opera under a feigned name, ran away with a young lady in Germany. The dying father commended the young man, who was really full of talent, to his son-in-law, proving to him, at the same time, that he had refused to marry the mother that he might not injure Madame Minoret. The doctor promised to give the unfortunate Joseph half of whatever his wife inherited from her father, whose business was purchased by the Erards.
He made due search for his illegitimate brother-in-law; but Grimm informed him one day that after enlisting in a Prussian regiment Joseph had deserted and taken a false name and that all efforts to find him would be frustrated.
Joseph Mirouet, gifted by nature with a delightful voice, a fine figure, a handsome face, and being moreover a composer of great taste and much brilliancy, led for over fifteen years the Bohemian life which Hoffman has so well described. So, by the time he was forty, he was reduced to such depths of poverty that he took advantage of the events of 1806 to make himself once more a Frenchman. He settled in Hamburg, where he married the daughter of a bourgeois, a girl devoted to music, who fell in love with the singer (whose fame was ever prospective) and chose to devote her life to him. But after fifteen years of Bohemia, Joseph Mirouet was unable to bear prosperity; he was naturally a spendthrift, and though kind to his wife, he wasted her fortune in a very few years. The household must have dragged on a wretched existence before Joseph Mirouet reached the point of enlisting as a musician in a French regiment. In 1813 the surgeon-major of the regiment, by the merest chance, heard the name of Mirouet, was struck by it, and wrote to Doctor Minoret, to whom he was under obligations.
The answer was not long in coming. As a result, in 1814, before the allied occupation, Joseph Mirouet had a home in Paris, where his wife died giving birth to a little girl, whom the doctor desired should be called Ursula after his wife. The father did not long survive the mother, worn out, as she was, by hardship and poverty. When dying the unfortunate musician bequeathed his daughter to the doctor, who was already her godfather, in spite of his repugnance for what he called the mummeries of the Church. Having seen his own children die in succession either in dangerous confinements or during the first year of their lives, the doctor had awaited with anxiety the result of a last hope. When a nervous, delicate, and sickly woman begins with a miscarriage it is not unusual to see her go through a series of such pregnancies as Ursula Minoret did, in spite of the care and watchfulness and science of her husband. The poor man often blamed himself for their mutual persistence in desiring children. The last child, born after a rest of nearly two years, died in 1792, a victim of its mother's nervous condition--if we listen to physiologists, who tell us that in the inexplicable phenomenon of generation the child derives from the father by blood and from the mother in its nervous system.
Compelled to renounce the joys of a feeling all powerful within him, the doctor turned to benevolence as a substitute for his denied paternity. During his married life, thus cruelly disappointed, he had longed more especially for a fair little daughter, a flower to bring joy to the house; he therefore gladly accepted Joseph Mirouet's legacy, and gave to the orphan all the hopes of his vanished dreams.
For two years he took part, as Cato for Pompey, in the most minute particulars of Ursula's life; he would not allow the nurse to suckle her or to take her up or put her to bed without him. His medical science and his experience were all put to use in her service. After going through many trials, alternations of hope and fear, and the joys and labors of a mother, he had the happiness of seeing this child of the fair German woman and the French singer a creature of vigorous health and profound sensibility.
With all the eager feelings of a mother the happy old man watched the growth of the pretty hair, first down, then silk, at last hair, fine and soft and clinging to the fingers that caressed it. He often kissed the little naked feet the toes of which, covered with a pellicle through which the blood was seen, were like rosebuds. He was passionately fond of the child. When she tried to speak, or when she fixed her beautiful blue eyes upon some object with that serious, reflective look which seems the dawn of thought, and which she ended with a laugh, he would stay by her side for hours, seeking, with Jordy's help, to understand the reasons (which most people call caprices) underlying the phenomena of this delicious phase of life, when childhood is both flower and fruit, a confused intelligence, a perpetual movement, a powerful desire.
