登陆注册
20260300000138

第138章

The same pains and licence that others take to blemish and bespatter these illustrious names, I would willingly undergo to lend them a shoulder to raise them higher. These rare forms, that are culled out by the consent of the wisest men of all ages, for the world's example, I should not stick to augment in honour, as far as my invention would permit, in all the circumstances of favourable interpretation; and we may well believe that the force of our invention is infinitely short of their merit. 'Tis the duty of good men to portray virtue as beautiful as they can, and there would be nothing wrong should our passion a little transport us in favour of so sacred a form. What these people do, on the contrary, they either do out of malice, or by the vice of confining their belief to their own capacity; or, which I am more inclined to think, for not having their sight strong, clear, and elevated enough to conceive the splendour of virtue in her native purity: as Plutarch complains, that in his time some attributed the cause of the younger Cato's death to his fear of Caesar, at which he seems very angry, and with good reason; and by this a man may guess how much more he would have been offended with those who have attributed it to ambition. Senseless people! He would rather have performed a noble, just, and generous action, and to have had ignominy for his reward, than for glory. That man was in truth a pattern that nature chose out to show to what height human virtue and constancy could arrive.

But I am not capable of handling so rich an argument, and shall therefore only set five Latin poets together, contending in the praise of Cato; and, incidentally, for their own too. Now, a well-educated child will judge the two first, in comparison of the others, a little flat and languid; the third more vigorous, but overthrown by the extravagance of his own force; he will then think that there will be room for one or two gradations of invention to come to the fourth, and, mounting to the pitch of that, he will lift up his hands in admiration; coming to the last, the first by some space' (but a space that he will swear is not to be filled up by any human wit), he will be astounded, he will not know where he is.

And here is a wonder: we have far more poets than judges and interpreters of poetry; it is easier to write it than to understand it. There is, indeed, a certain low and moderate sort of poetry, that a man may well enough judge by certain rules of art; but the true, supreme, and divine poesy is above all rules and reason. And whoever discerns the beauty of it with the most assured and most steady sight, sees no more than the quick reflection of a flash of lightning: it does not exercise, but ravishes and overwhelms our judgment. The fury that possesses him who is able to penetrate into it wounds yet a third man by hearing him repeat it; like a loadstone that not only attracts the needle, but also infuses into it the virtue to attract others. And it is more evidently manifest in our theatres, that the sacred inspiration of the Muses, having first stirred up the poet to anger, sorrow, hatred, and out of himself, to whatever they will, does moreover by the poet possess the actor, and by the actor consecutively all the spectators. So much do our passions hang and depend upon one another.

Poetry has ever had that power over me from a child to transpierce and transport me; but this vivid sentiment that is natural to me has been variously handled by variety of forms, not so much higher or lower (for they were ever the highest of every kind), as differing in colour.

First, a gay and sprightly fluency; afterwards, a lofty and penetrating subtlety; and lastly, a mature and constant vigour. Their names will better express them: Ovid, Lucan, Virgil.

But our poets are beginning their career:

"Sit Cato, dum vivit, sane vel Caesare major,"

["Let Cato, whilst he live, be greater than Caesar."--Martial, vi. 32] says one.

"Et invictum, devicta morte, Catonem,"

["And Cato invincible, death being overcome."--Manilius, Astron., iv. 87. says the second. And the third, speaking of the civil wars betwixt Caesar and Pompey, "Victrix causa diis placuit, set victa Catoni."

["The victorious cause blessed the gods, the defeated one Cato.--"Lucan, i. 128.]

And the fourth, upon the praises of Caesar:

"Et cuncta terrarum subacta, Praeter atrocem animum Catonis."

["And conquered all but the indomitable mind of Cato."--Horace, Od., ii. 1, 23.]

And the master of the choir, after having set forth all the great names of the greatest Romans, ends thus:

"His dantem jura Catonem."

["Cato giving laws to all the rest."--AEneid, viii. 670.]

同类推荐
热门推荐
  • 流年勿忘之爱殇

    流年勿忘之爱殇

    一位高高在上的神界小郡主因被一妖狐暗算而遭受天罚因被师父所救从而转世为二十一世纪的一位普通小女孩。白陌韶看着一身穿白衣的男子怀中抱着一位衣衫血迹斑斑的女子。他淡然开口对白衣男子说道:“救她,值得吗。”“呵……值不值得与你无关。”“就算散尽全部修为,沉睡九千年?甚至丧失性命?”白衣男子听后沉默了一会但还是沙哑的说道:“对,快救她吧……我时间不多了……”“唉……情一字害人无数啊。”…………
  • 上苍图录

    上苍图录

    逆斩上苍,执掌劫光。万族争雄,封禅之地。茫茫大世,病秧少年从无尽山脉走出。
  • 僵尸在你身边

    僵尸在你身边

    请不要逃避僵尸的爱。僵尸太子、千金公主经历几世的爱恋情仇,他们要在今生做个终结,等待他们的是续写前缘还是由爱生恨!他们会在大爱与小爱之间做出如何选择?
  • 逆天倾世小狂妃

    逆天倾世小狂妃

    什么鬼?!你说苏向楠是全京城公认的丑八怪兼废物一枚?不怕不怕,人家有主角光环罩着。看咱们霸气侧漏and倾国倾城的苏向楠大大如何和白莲花or黑莲花斗智斗勇、如何收服心高气傲不可一世的绝世神宠/神器、如何调教天天围绕着她的众妖孽美男们!(注意是们!)某高冷男下令:“把太子妃身边的桃花斩得干干净净。一个渣也不可以剩!”
  • 黑白战纪

    黑白战纪

    战魂源于传说中英雄,前世纠纷,今生的恩恩怨怨,黑与白到底谁才是真正的正义,无人知晓,但既不选择黑或白的人,一般都被称之为圣者!
  • 星际冢坟

    星际冢坟

    星球遭遇战争波及,环境发生异变。为了生存,残留的幸存者背地里展开惨无人道的生物实验。而其中的一名实验体,大脑被植入了一段特殊的记忆。依靠着这些记忆,在一次又一次的实验中存活下来。在逃出实验室之后,却发现这场实验的背后隐藏着惊天的阴谋。
  • 丧尸之城

    丧尸之城

    当进入到一个鬼屋的时候,记住,千万不要睁开你的眼睛,否则……在这里,现实一片废墟,满世界都是行尸走肉的僵尸,世界各地出现宗教暴徒,神棍……所有人为了权力与欲望,利用这个疯狂的世界,而我,正是这个世界的始作俑者。
  • 冷笙曾经天使心

    冷笙曾经天使心

    她,一个冷漠、自强、孤独、集于一身的王者般的女子,却曾经也有着一颗天使般的纯净、温柔、脆弱的内心。她不再温柔,不再那样纯净无暇。时间会改变一个人的人,由内而外,她学会了带上专属天使的伪装面具。
  • 你终将爱我

    你终将爱我

    全世界华人的爱情知己张小娴主编的极致爱情主题书《你终将爱我》心动上市。张小娴携三万字中篇小说《你总有爱我的一天》,领衔演绎爱之百味。此书由张小娴主编,围绕爱的主题展开,桑格格、榛生、刘贞等十位文艺作家倾情共叙,书写心中最“爱”。或别离或拥抱,或单恋或深爱,或踟蹰回望或挥别向前,十个故事,万千种爱情意态,浅吟低唱间,尽诉爱的百转千回。全书采用四色彩印,装帧精致,每个细节透露极致梦幻气息。翻开这本书,走进专属你的恋爱季节。
  • 无理幻想

    无理幻想

    一个有趣的身份游戏,兵法第一师范突破十万收藏我就陪你们玩。